Solid 19th Century Classics with Modern Enthusiasm Symphony of the Mountains at ETSU, September 28, 2013

The concert on September 28th by the Symphony of the Mountains, at East Tennessee State University, featured a solidly classical program of pieces by Ludwig von Beethoven, Pablo De Sarasate, and Schubert . The performance group, under the direction of Sean Claire, is from the region, although they have interesting and varied international backgrounds .Advertising We will write a custom report sample on Solid 19th Century Classics with Modern Enthusiasm: Symphony of the Mountains at ETSU, September 28, 2013 specifically for you for only $16.05 $11/page Learn More The ensemble gave the music their all. They were patently highly skilled, and their performances were loving and enthusiastic, including no wrong notes or missed entrances (or, if they did, these were not noticeable to the untutored listener). It was an interesting matinee program at Mathes Auditorium, even for a listener for whom these particular pieces of music were not the most familiar. It wa s clear from themes and melodies contained in each piece that other composers, especially of film music and popular music, must have been inspired by this kind of music. The initial piece, Beethoven’s Sonata Number 5 in F, titled â€Å"Spring†, was performed by Emi Kagawa on piano and Sean Claire on violin. They somehow gave the impression of including many more instruments than these two. If a listener closed his or her eyes, it would at times seem that a whole ensemble was playing. This may be a reflection of the fact that both instruments can produce more than one note at once. It was a striking effect. The piece is programmatic in that the overall effect is of joy and growth rather than otherwise. The Scherzo movement, in particular, evokes the liveliness of young animals in springtime, whether lambs or colts, an image often associated with spring. Later in the concert, the same duo produced a lovely and hauntingly memorable melody, carried by the violin and backed with harmony by the piano. This seems very familiar, and it is this sense of dà ©jà   vu that suggests that other more recent composers have plundered this theme for their own use. The second melodic theme is clearly a dance tune, in what sounds like a waltz time signature. Again, the violin carries the melody, while the piano harmonizes along with this tripping, glancing melody.Advertising Looking for report on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More After correcting their tuning, the strings and piano performed movements that showcased the fireworks possible for the piano. In the first one, the piano thundered and crashed, rumbled and sang behind the strings, sometimes carrying the melodic line. There was, in spite of the drama of the piece and the volume of sound that the piano demonstrated, a fine balance between it and the strings. In the second movement, the piano sang the gentle and tender tune, in turn with the strings. This was contemplative music, tending The Schubert quintet filled out the program after the intermission, and called on the talents of not only Sean Claire but violinist Ilia Steinschneider, violist Gina Caldwell, and cellists Matt and Jeanine Wilkinson. This work was filled with variety, and ended with the lower strings sounding so richly human as to be spooky. It was not programmatic but It was tempting to read something into it, from the composer’s own life or events going on around him. Perhaps a personal evolution from quiet joy to more exuberant rejoicing would fit the bill. The program included a wide range of dynamics, from the very quiet and peaceful to the towering and emphatic. These 19th century classics hold up very well even for very modern listeners and these performers interpreted them individually and thoughtfully. It was a program that encouraged further listening to these composers and to music from this era and genre more generally. Reference Department of Music, East Tennessee State University. â€Å"The Symphony of the Mountains Chamber Ensemble†. (September 2013). Johnson City, Tennessee: Department of Music, East Tennessee State University, 2013. This report on Solid 19th Century Classics with Modern Enthusiasm: Symphony of the Mountains at ETSU, September 28, 2013 was written and submitted by user Kimberly Kent to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

The 26 Surprising Rules Of Great Content Creation

The 26 Surprising Rules Of Great Content Creation Great content creation is a lifestyle. You live and breath it; almost everything that happens to you makes you think this could be a blog post. Here are the rules. You probably already know them, because youre living them now. The Rules Of Great Content Creation 1. Live what you write. Believe in what youre writing, or it will show. You can talk it if you walk it. Otherwise, youre guessing out loud and your audience can tell. If you find yourself writing what you dont believe anymore, change what youre doing, rethink your beliefs–do something. Try to get the two as parallel as you can or youll start to feel resentment and have a hard time living with yourself. 2. Your critics and fans are the same. Be ready for both criticism and adoration from the same people, over the same content, and in the same day. Take one as well as the other. They go together like light and shadow. 3. Always be reading.  Read not just blogs and books that are related to marketing or blogging or your niche. Read outside your usual realm. Read fiction and non-fiction. Read history and philosophy. All things can apply to the content you are creating in some way some day. You wont regret your knowledge stockpile. Ever. 4. Dont write too much. Write every day. Write extra, because youll be editing and cutting. Write as the habit it should be. But dont write so much that youre burned out. When you feel burned out on writing, pick up a fiction book and read. Reset your mind in a different path. 5. Write with daring. The post I wrote last week was different. I sat down to write and thought in exasperation I cannot write yet another typical blog post. Not today. So I wrote something else. It might not appeal to readers. It might not be the top-post. It might garner laughs. I might wish later Id not written it. But I needed to write something that was different even if only so I could write fresh the next day. 6. Write so your readers enjoy it. You have a chance to brighten someones day, give them the change in direction they were hoping for, or change an attitude. Your goal isnt to write a great blog. Its to write a great day for your readers. Your goal isnt to impress someone else. Its to write so the person who reads it is glad that he or she did. 7. Think of yourself as a writer, not a content creator. One changes the world, the other packages up a product. There will be days when feeling comparable to a factory wont inspire you much at all. On those days, think of yourself as a writer. You have a great history of noble and great writers to be inspired by; less so with content creators. Think of yourself as a writer, not a content creator. Its a different mindset.8. Think of yourself as a content creator, and not a writer. Some days you have to ship, whether you have a grand philosophy to share that day or not. If need be, compartmentalize your creative self. Understand you have a job to do, that it might not feel noble right now, but youre gonna do it the best you can, and that it doesnt define who you are later. 9. Stretch yourself. Stretch how you write, the topics you write about, and be sure to stand up periodically and actually, physically stretch yourself at your desk so you dont fall asleep. Get the blood moving to your head. 10. Wander away from the pack. Try something that everyone else doesnt swear by. Ignore that great advice. They say short, you say long. They say now, you say tomorrow. It might not work, they might have been right, but at least you strengthened your writing backbone a bit and tested out your own feet. And, who knows. You might end up finding something new that becomes the next must-have advice. 11. Network, and be friendly. No one hugs a porcupine. Be friendly online. You dont have to be fake. If youre not feeling friendly when you read that blog post comment, come back when you do, and not a moment before. This is how you connect with people. 12. Promote your work before yourself. Its not about you, its about what youre writing and what people want. Remember this: unless youre a famous celebrity and people have oddly fixated on you, people really only care about themselves and what you can do for them. They care less about that new puppy you blogged about and more about the 5 Ways They Can Save $100 Each Week. Dont be a self-promoter. Be a work-promoter. People are interested in themselves. Let your work feed that. Promote your work before yourself. People want you for what you can do for13. Blame no one. You wrote a blog post that bombed, started a flame war, was grossly inaccurate, was hilariously bad, caused people to unsubscribe from your email list, or was pistol-whipped by search engines? Your fault. You wrote it. Not a big deal. Move on and keep writing. 14. Inquire after your readers. Ask questions, in your blog posts, in your comments, on social media. Actually ask with the desire to hear. This is not you throwing out a fishhook to snare the next sucker for your online webinar. This is you asking another person and letting them share their opinion. You will learn something. 15. See words in a new light. Words are not just a means to an end. They are capturing the electric thoughts in your brain so others can understand them. They are powerful and not merely governed by rules, not merely a rigid part of a formula. Expand your vocabulary. Experiment with the sound of the words as you read them in your head, the juxtaposition of words, the hidden meanings and puns that you can create based on how you use words. Dump your cliches and stand-by phrases. 16. Understand your blog is dangerous. Oh, is it ever. Its the printing press and the pen that defeated the sword and the freely spoken word, all rolled up into one and then some. Your blog can be powerful. Will you use it to harm, to help, or to simper and whine? Your blog can be powerful. Do you use it to harm, help, or complain?  #ContentMarketingRules17. You are the oven. As a blogger, you take all the raw materials–the studies, the blog posts, the articles, the books, the infographics–and you interpret them for your reader. You do the hard stuff so they can have ten or fifteen minutes of enjoyment reading. Dont be annoyed that this is what you will do. Be sure you know how to distill your knowledge down for this purpose. 18. Expect completely unpredictable returns. You will not understand why your least favorite or most ridiculous posts get the most traffic. You shouldnt chase after it. People will read what they will read. Dont restructure your blog around a topic purely based on numbers. One-hit wonders are found on every blog. They throw off the curve and thats how it is. 19. Tip your hat to search engines, then turn your back. Ultimately, you are not feeding a search engine. You are not here for a robot. You are here for human readers and you should never, ever let anything trump human readability and enjoyment no matter how much racket the robot makes. 20. Its all about who you know. You can work 10 years or 10 days and have the same success. It depends on who you know and who they know and if theyll share and tell. That may be discouraging. Whatever it is, it isnt a blank check for shoddy work. You do your best work over the days and the years. 21. One-time hits are great, but not that great. A one time hit is like a punch. It happens, it dissipates, you might have some collateral effects for a while, but you quickly settle back to the status quo. Your content shouldnt be created out of an infatuation with hit counts. Thats chasing after the wind. Even if you catch it, so what? One-hit wonders on your blog will happen. They dont define your blog.  #ContentMarketingRules22. Accept your title. Are you a professional blogger? A part-time blogger? A hobby blogger? It doesnt matter what you are, so long as you know. Thatll help you understand what tools youll use, for one thing, and how much sleep youll lose over things like leads and conversions and affiliate income. Know what kind of blogger you are, and proceed to write without shame. Theres room for everyone. 23. Be authentic, but know if youre a jerk. The word now is authenticity and trust and thats the best way to write but do you know if your authentic self is even likable? do you care? Does your audience care? Be authentic enough, but temper it with a kindness and patience for your audience. Youre not a hypocrite if you do that, nor is your writing fake. 24. You are writing in permanent marker. What you write online is forever. Even if you robots.txt your site so the Internet Archive cant access it, the things you write online do not come with an eraser two or three years down the road. Be friends with your draft button and think before you hit publish. 25. Find your own growth percentage. Im not talking about traffic or conversions. Im talking about what percentage of content will you write according to the winning formulas of the day, and what percentage will you write simply to grow your knowledge and skills whether they are a traffic win or not? There might be overlap, but there might just be a few posts here and there that no one cares about that still changed your own life. 26. The best way to learn to be a blogger is to be a blogger. To learn, you have to start. To get better, you have start when youre at your worst youll ever be. You can read all of the how to be a blogger posts you want, but until you start you wont understand. To be a blogger, you must be a blogger.

Constructions of gender,sexuality,and the family in indian religions Movie Review

Constructions of gender,sexuality,and the family in indian religions and cultures - Movie Review Example Deepa Mehta, a Canadian-Indian filmmaker has tackled this issue with a new dimension by producing a controversial movie, Fire. When the film was released in India in 1997, it caused a major uproar with Hindu fanatics burning down the cinemas and attacking the cast. The film story revolves around the relationship between two middle class Indian women, Radha and Sita, living in Delhi, the capital of India. The house is ‘ruled’ by the elder brother Ashok, who is also the husband of Radha. Sita is married to Jatin, younger brother of Ashok. As per the Indian family system norms, they all live in an old joint family house running their convenience store and video rental business. Ashok is into celibacy and has rescinded from the sexual life to attain spiritual purification. He mostly keeps to himself and remains aloof from the issues faced by his wife and other family members. Unlike the traditional Indian male culture, where the head of a family is fully aware of his family’s situation and actually control the course of events, Ashok has taken a back seat. Jatin, on the other hand, is a typical young Indian urbanite who does not take care of family rules. He is involved with a Chinese masseur and keeps this affair as a tightly guarded secret. He thinks that a wife has the only purpose of serving his husband and reproduce. Men should seek extra-marital affairs to fulfill their sexual desires. This behavior is typical of Indian men who are wary of arranged marriages. Parents arrange an overwhelming majority of marriages in India and in many cases; parents do not even ask the opinion of their children, especially daughters. Then we have Mundu, the lone employee at the store who doubles as a domestic help. He is an aged, single person with a penchant for watching porn (that is easily available from their video store) and masturbating in front of the